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Used instruments
Used instruments - refurbished by us
Thomas OM50
Thomas OM 50 guitar in mint condition! We have something really special in our pre-owned section:
a Thomas OM50 guitar in absolutely mint condition - now only €3,990!
Andreas Schulz (akustik-gitarre.com) wrote the following in his November 2021 review of this guitar: "Thomas Orgler and Nikolaus Eilken really know their stuff: The finest woods, masterful craftsmanship, high-quality workmanship, and ideal setup of the parameters so crucial to the playing feel result in a fantastic instrument."
Price: €3,800
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a Thomas OM50 guitar in absolutely mint condition - now only €3,990!
Andreas Schulz (akustik-gitarre.com) wrote the following in his November 2021 review of this guitar: "Thomas Orgler and Nikolaus Eilken really know their stuff: The finest woods, masterful craftsmanship, high-quality workmanship, and ideal setup of the parameters so crucial to the playing feel result in a fantastic instrument."
Price: €3,800
```
Hanika 58 AF Custom
The Hanika 58 AF Special Production is an exclusive custom shop concert guitar based on the popular 58 series. Since the 58 AF model is no longer in production, this instrument was built to the specifications of the previous owner, featuring a select Alpine spruce top and a beautifully figured maple body.
The combination of solid tonewoods, an arched top with seven-fan bracing, and high-quality craftsmanship results in a warm, expressive tone with clear separation and excellent responsiveness. Unlike the earlier production version, this model has a high-gloss lacquered top, which contributes to a particularly mellow and classic tonal character.
Features such as the reinforced cedar neck, ebony fingerboard, and gold-plated tuning machines underscore the high-quality nature of this guitar. The natural, high-gloss lacquered maple body also gives it a particularly elegant appearance.
A high-quality hardshell case is included.
Price: €1,800
The combination of solid tonewoods, an arched top with seven-fan bracing, and high-quality craftsmanship results in a warm, expressive tone with clear separation and excellent responsiveness. Unlike the earlier production version, this model has a high-gloss lacquered top, which contributes to a particularly mellow and classic tonal character.
Features such as the reinforced cedar neck, ebony fingerboard, and gold-plated tuning machines underscore the high-quality nature of this guitar. The natural, high-gloss lacquered maple body also gives it a particularly elegant appearance.
A high-quality hardshell case is included.
Price: €1,800
Takamine TH90
The Takamine TH90 Hirade has been one of the flagship models in Takamine's classical lineup for decades. Developed based on the designs of renowned luthier Mass Hirade, it combines traditional craftsmanship with innovative acoustic and electronic technology.
This handcrafted concert guitar features a solid Sitka spruce top and solid rosewood back and sides. This high-quality wood combination delivers a powerful, balanced tone with warm bass, brilliant mids, and clear highs. The cutaway also provides comfortable access to the upper frets.
Equipped with an ebony fingerboard, a 650 mm scale length, and a 51 mm nut width, the TH90 offers exceptional playability for discerning classical, Latin, and fingerstyle guitarists. The integrated CTP-3 Cool Tube™ preamp system provides an exceptionally natural and dynamic amplifier sound with the warmth of a real tube amp.
With its elegant high-gloss finish, gold-colored tuning machines, and first-class Japanese craftsmanship, the Takamine TH90 is a top-of-the-line concert guitar – perfect for both stage and studio. A matching case is included.
Like new!
Price: €1,600
This handcrafted concert guitar features a solid Sitka spruce top and solid rosewood back and sides. This high-quality wood combination delivers a powerful, balanced tone with warm bass, brilliant mids, and clear highs. The cutaway also provides comfortable access to the upper frets.
Equipped with an ebony fingerboard, a 650 mm scale length, and a 51 mm nut width, the TH90 offers exceptional playability for discerning classical, Latin, and fingerstyle guitarists. The integrated CTP-3 Cool Tube™ preamp system provides an exceptionally natural and dynamic amplifier sound with the warmth of a real tube amp.
With its elegant high-gloss finish, gold-colored tuning machines, and first-class Japanese craftsmanship, the Takamine TH90 is a top-of-the-line concert guitar – perfect for both stage and studio. A matching case is included.
Like new!
Price: €1,600
Taylor 714ce
This Taylor 714ce was designed as a tribute to the legendary American manufacturer. This exclusive acoustic guitar belongs to the iconic 700 series and features classic design elements as well as the ever-popular Grand Auditorium body, which embodies the signature Taylor sound. Crafted from solid tonewoods and equipped with a classic Taylor pickup, the instrument produces the renowned tone, while a comfortable neck and cutaway contribute to a pleasant playing experience. The guitar also boasts a traditional burst finish with a high-gloss lacquer, highlighting the superior quality of the carefully selected woods. Visually, it is equally impressive, with a tortoiseshell pickguard and luxurious inlays adding to its sophisticated look. The instrument comes complete with an amplifier and the original Taylor hardshell case.
Price: €2,600
Price: €2,600
Hanika Natural Torres Cedar
Hanika's Master Class represents the pinnacle of sonic and
craftsmanship perfection in guitar making. These concert guitars were designed and crafted to meet the individual requirements and preferences of discerning guitar virtuosos. The finest selection of woods, combined with masterful craftsmanship and the use of the best and highest-quality materials, results in unique sonic masterpieces. The back and sides are made of select East Indian rosewood, and the top is crafted from the finest cedar. The cedar neck is reinforced with a hardwood/mahogany core. The asymmetrically weighted, arched spruce top ensures optimized sound projection. The Natural Torres is characterized by outstanding dynamics, a warm, full tone, superb clarity, and a responsive playing feel. This concert guitar meets the highest standards in terms of materials, craftsmanship, and sound. The scale length is 650 mm, and the nut width is 52 mm.
The openwork headstock made of rosewood, maple, and Makassar ebony, and
the high-quality Rubner tuners underscore the high
quality standard of the Natural Torres. The natural finish
provides exceptional value for money.
The guitar is unused and comes with a case and certificate.
Price: €2,400
craftsmanship perfection in guitar making. These concert guitars were designed and crafted to meet the individual requirements and preferences of discerning guitar virtuosos. The finest selection of woods, combined with masterful craftsmanship and the use of the best and highest-quality materials, results in unique sonic masterpieces. The back and sides are made of select East Indian rosewood, and the top is crafted from the finest cedar. The cedar neck is reinforced with a hardwood/mahogany core. The asymmetrically weighted, arched spruce top ensures optimized sound projection. The Natural Torres is characterized by outstanding dynamics, a warm, full tone, superb clarity, and a responsive playing feel. This concert guitar meets the highest standards in terms of materials, craftsmanship, and sound. The scale length is 650 mm, and the nut width is 52 mm.
The openwork headstock made of rosewood, maple, and Makassar ebony, and
the high-quality Rubner tuners underscore the high
quality standard of the Natural Torres. The natural finish
provides exceptional value for money.
The guitar is unused and comes with a case and certificate.
Price: €2,400
Köröskenyi 311 T
The guitar maker Ernest Köröskényi (1912–1978) produced guitars in Germany from 1962 onwards. Instruments
from the 1970s
are among the most sought-after master guitars, prized for their traditional craftsmanship and sound. His instruments are known for their exceptional quality of workmanship, the finest materials, and their meticulous attention to detail.
Köröskenyi was also known as a teacher and mentor to prominent guitar makers, including Carl-Hermann
Schäfer, Klaus Röder, Dragan Musulin, and Josip Krog.
The guitar's sound is impressive, with a warm, rich, and resonant tone and plenty of sustain! Simply
wonderful. The response is lively, the action is comfortable, and the guitar is easy to play.
For its age, the guitar is in exceptionally good condition.
Year of manufacture: 1970s
Top: Spruce
Back & Sides: Maple
Scale length: 64 mm
Nut width: 50 mm
Price: €1,800
...
from the 1970s
are among the most sought-after master guitars, prized for their traditional craftsmanship and sound. His instruments are known for their exceptional quality of workmanship, the finest materials, and their meticulous attention to detail.
Köröskenyi was also known as a teacher and mentor to prominent guitar makers, including Carl-Hermann
Schäfer, Klaus Röder, Dragan Musulin, and Josip Krog.
The guitar's sound is impressive, with a warm, rich, and resonant tone and plenty of sustain! Simply
wonderful. The response is lively, the action is comfortable, and the guitar is easy to play.
For its age, the guitar is in exceptionally good condition.
Year of manufacture: 1970s
Top: Spruce
Back & Sides: Maple
Scale length: 64 mm
Nut width: 50 mm
Price: €1,800
...
Hanika Natural Torres Spruce
Hanika's Master Class represents the pinnacle of sonic and
craftsmanship perfection in guitar making. These concert guitars were designed and crafted to meet the individual requirements and preferences of discerning guitar virtuosos. The finest selection of woods, combined with masterful craftsmanship and the use of the best and highest-quality materials, results in unique sonic masterpieces. The back and sides are made of select East Indian rosewood, and the top is crafted from the finest spruce. The cedro neck is reinforced with a hardwood/mahogany core. The asymmetrically weighted, arched spruce top ensures optimized sound projection. The Natural Torres is characterized by outstanding dynamics, a warm, full tone, superb clarity, and a responsive playing feel. This concert guitar meets the highest standards in terms of materials, craftsmanship, and sound. The scale length is 650 mm, and the nut width is 52 mm.
The openwork headstock made of rosewood, maple, and Maksava wood, and
the high-quality Rubner tuners underscore the high
quality standard of the Natural Torres. The natural finish
provides exceptional value for money.
The guitar is unused and comes with a case and certificate.
Price: €2,400
craftsmanship perfection in guitar making. These concert guitars were designed and crafted to meet the individual requirements and preferences of discerning guitar virtuosos. The finest selection of woods, combined with masterful craftsmanship and the use of the best and highest-quality materials, results in unique sonic masterpieces. The back and sides are made of select East Indian rosewood, and the top is crafted from the finest spruce. The cedro neck is reinforced with a hardwood/mahogany core. The asymmetrically weighted, arched spruce top ensures optimized sound projection. The Natural Torres is characterized by outstanding dynamics, a warm, full tone, superb clarity, and a responsive playing feel. This concert guitar meets the highest standards in terms of materials, craftsmanship, and sound. The scale length is 650 mm, and the nut width is 52 mm.
The openwork headstock made of rosewood, maple, and Maksava wood, and
the high-quality Rubner tuners underscore the high
quality standard of the Natural Torres. The natural finish
provides exceptional value for money.
The guitar is unused and comes with a case and certificate.
Price: €2,400
Kramer Bass
Vintage Kramer DMZ 4001 Electric Bass, circa 1980/81
The DMZ 4001 was first introduced by Kramer in 1979. It is the passive version of the DMZ 4000, featuring a DiMarzio pickup. This is what the DMZ stands for. A mini-switch remains, allowing the pickup to be wired in series or parallel. Also unchanged is the aluminum neck with maple inlays on the back and the Ebonol fingerboard, a design already used on the 450B and other models. The body is made of maple with walnut strips.
Based on the serial number A0169, we date this bass, according to Vintage Kramer, to 1980/1981.
The bass is in perfect working order and plays very well.
Price: €1,290
The DMZ 4001 was first introduced by Kramer in 1979. It is the passive version of the DMZ 4000, featuring a DiMarzio pickup. This is what the DMZ stands for. A mini-switch remains, allowing the pickup to be wired in series or parallel. Also unchanged is the aluminum neck with maple inlays on the back and the Ebonol fingerboard, a design already used on the 450B and other models. The body is made of maple with walnut strips.
Based on the serial number A0169, we date this bass, according to Vintage Kramer, to 1980/1981.
The bass is in perfect working order and plays very well.
Price: €1,290
double bass
Fretted 5-string flat bass with bow and flight case: This flat bass was built in 2016 for use by the medieval band Waldkauz. The band also commissioned a bow from a bow maker and had a special flight case made. All of this is now for sale.
This exceptional flat bass is a true all-rounder. Impressive volume, full sound, compact body, bowable, fretted, flat, and easily transportable. The sound, like that of the legendary acoustic bass, is very similar to that of a double bass.
In developing this phenomenal flat bass, elements of the double bass, viola da gamba, mandola, electric bass, Spanish guitar, and the legendary acoustic bass were incorporated. With this flat bass, we have created a completely new instrument that not only boasts outstanding sound and playability but is also visually stunning.
The body has a maximum rib depth of 130 mm and a minimum of 95 mm. The top is significantly thicker than that of an acoustic guitar and features a pronounced transverse arch. For comparison, the top of a double bass is hollowed out like a violin. The thickness is determined by the strong string pressure, which results from the high bridge angle. Inside the body, as with a double bass, there is a soundpost.
In addition to the central soundhole, the top features two side-mounted sound slots, similar to the f-holes of a double bass, and is reinforced with contrasting springs.
The scale length is 864 mm, just like an acoustic bass. As with a viola da gamba, the neck is set in and the fingerboard is arched. It has 24 frets, including a zero fret. The zero fret means that the open strings sound the same as the fretted ones. While on a guitar these differences are subtle, the tone produced when bowing an unfretted string resting on bone is significantly different from that produced when the string rests on metal.
The headstock shape was chosen to provide the necessary stability, as it must withstand considerable tension. To keep the headstock as small as possible, the bass bow was fitted with electric bass tuners. With standard double bass tuners, it would have been twice as long.
For the specific requirements of this bass bow, we use Galli flatwound strings designed for electric basses. We installed a Schertler Stat B double bass pickup, which provides excellent amplification for bowed strings.
Like all our acoustic basses, this one is well-balanced in the hand, although its bowing design makes it slightly heavier. The bass bow is played standing up; this is the only way to maintain proper bow control. For experienced cellists or double bass players, the transition should be very quick, while guitarists and bassists will need a little patience to learn how to use the bow. The instrument's shape provides optimal conditions for this.
When played with the bow, the vibrations of the B and E strings resonate powerfully and forcefully. The A string sounds more precise and clear, while the D and G strings produce a sound that is both tender and powerful. The overall sound is more compact and tighter than that of its larger counterpart. When plucked, the gently building, rumbling tone of a double bass emerges with surprising quality and volume.
Price: €6,000
This exceptional flat bass is a true all-rounder. Impressive volume, full sound, compact body, bowable, fretted, flat, and easily transportable. The sound, like that of the legendary acoustic bass, is very similar to that of a double bass.
In developing this phenomenal flat bass, elements of the double bass, viola da gamba, mandola, electric bass, Spanish guitar, and the legendary acoustic bass were incorporated. With this flat bass, we have created a completely new instrument that not only boasts outstanding sound and playability but is also visually stunning.
The body has a maximum rib depth of 130 mm and a minimum of 95 mm. The top is significantly thicker than that of an acoustic guitar and features a pronounced transverse arch. For comparison, the top of a double bass is hollowed out like a violin. The thickness is determined by the strong string pressure, which results from the high bridge angle. Inside the body, as with a double bass, there is a soundpost.
In addition to the central soundhole, the top features two side-mounted sound slots, similar to the f-holes of a double bass, and is reinforced with contrasting springs.
The scale length is 864 mm, just like an acoustic bass. As with a viola da gamba, the neck is set in and the fingerboard is arched. It has 24 frets, including a zero fret. The zero fret means that the open strings sound the same as the fretted ones. While on a guitar these differences are subtle, the tone produced when bowing an unfretted string resting on bone is significantly different from that produced when the string rests on metal.
The headstock shape was chosen to provide the necessary stability, as it must withstand considerable tension. To keep the headstock as small as possible, the bass bow was fitted with electric bass tuners. With standard double bass tuners, it would have been twice as long.
For the specific requirements of this bass bow, we use Galli flatwound strings designed for electric basses. We installed a Schertler Stat B double bass pickup, which provides excellent amplification for bowed strings.
Like all our acoustic basses, this one is well-balanced in the hand, although its bowing design makes it slightly heavier. The bass bow is played standing up; this is the only way to maintain proper bow control. For experienced cellists or double bass players, the transition should be very quick, while guitarists and bassists will need a little patience to learn how to use the bow. The instrument's shape provides optimal conditions for this.
When played with the bow, the vibrations of the B and E strings resonate powerfully and forcefully. The A string sounds more precise and clear, while the D and G strings produce a sound that is both tender and powerful. The overall sound is more compact and tighter than that of its larger counterpart. When plucked, the gently building, rumbling tone of a double bass emerges with surprising quality and volume.
Price: €6,000
Amistar Ukulele
Amistar Resonator Ukulele with Case: A ukulele-shaped mandolin in the style of a National Resonator guitar. This mandolin was custom-made for Tom Launhardt and used in his band Mandowar. It comes with a custom-made Hiscox case and several sets of brand-new strings.
Price: €2,000
Price: €2,000
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